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*[[Halloran, Michael S. "On the End of Rhetoric: Classical and Modern"]]
*[[Halloran, Michael S. "On the End of Rhetoric: Classical and Modern"]]
*[[Hart-Davidson, Bill and Steven D. Krause “Re: The Future of Computers and Writing: A Multivocal Textumentary”]]
*[[Hart-Davidson, Bill and Steven D. Krause “Re: The Future of Computers and Writing: A Multivocal Textumentary”]]
 +
*[[Johnson-Eilola, Johndan “Negative Spaces: From Production to Connection in Composition”]]
*[["Nature of the Linguistic Sign" by Ferdinand de Saussure]]
*[["Nature of the Linguistic Sign" by Ferdinand de Saussure]]
*[["On Distinctions between Classical and Modern Rhetoric" by Andrea A. Lunsford and Lisa S. Ede]]
*[["On Distinctions between Classical and Modern Rhetoric" by Andrea A. Lunsford and Lisa S. Ede]]
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*[[“Looking for Sources of Coherence in a Fragmented World: Notes toward a New Assessment Design” by Kathleen Blake Yancey]]
*[[“Looking for Sources of Coherence in a Fragmented World: Notes toward a New Assessment Design” by Kathleen Blake Yancey]]
*[[“Web Literacy: Challenges and Opportunities for Research in a New Medium” by Madeleine Sorapure, Pamela Inglesby, and George Yatchisin]]
*[[“Web Literacy: Challenges and Opportunities for Research in a New Medium” by Madeleine Sorapure, Pamela Inglesby, and George Yatchisin]]
-
*[[“Negative Spaces: From Production to Connection in Composition” by Johndan Johnson-Eilola]]
 
*[[“Part 2: Toward an Integrated Composition Pedagogy in Hypertext” by Sean D. Williams]]
*[[“Part 2: Toward an Integrated Composition Pedagogy in Hypertext” by Sean D. Williams]]
*[[“Champing at the Bits: Computers, Copyright, ad the Composition Classroom” by John Logie]]
*[[“Champing at the Bits: Computers, Copyright, ad the Composition Classroom” by John Logie]]

Revision as of 20:44, 7 April 2011

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